Stan Davis grew up near Tallahassee, Florida. Throughout his childhood,
he nurtured an interest in Native American culture. He and his friends
would play cowboys and Indians, and comb the local beaches for pottery
shards, arrowheads, and other artifacts surviving from pre-Colombian
indigenous settlements. Davis showed a propensity for drawing from an
early age. With his family's support, he attended every art class he
could, eventually graduating with honors from the Ringling School of Art
in Sarasota, Florida. After a year spent working for an advertising
agency in Coco Beach, Florida, Davis joined the Air Force. He was
discharged in 1968 and moved to Los Angeles, California, where he became
the art director for the Richter Mracky-Bates advertising agency, one
of the four top advertising agencies in the world. Davis started his
own agency in the mid-1970's, and although this required him to adopt a
largely administrative role, he continued to draw and paint in his free
time. [no-sidebar]
In 1979, Davis visited several art galleries in Scottsdale, Arizona, and
was inspired to create art with Native American themes. Returning to
Los Angeles, he initially looked to stills and outtakes from Western
movies as starting points for subject material, but soon realized that
Hollywood was not the best source of historical accuracy. Davis then
visited a costumer's shop run by a husband and wife team, who
specialized in creating Native American costumes for local movie
studios. Under their tutelage, Davis studied the clothing techniques of
various Native American tribes and learned how to make historically and
culturally authentic clothes of his own. Davis also visited museums to
study the artifacts and artwork of the Blackfoot tribe, and traveled
throughout the American Northwest and Canada to gain perspective on the
environment where the Northern Plains Indians lived. Back in Los
Angeles, he hired aspiring Native American actors to work as models, and
began to paint while continuing to work full time at his advertising
agency. Two years later, he took his 25 best paintings and plunged into
the art market
Davis eventually left the advertising business and returned to his
native Florida, where he continues to live and paint, working primarily
in oils. Davis paints in a photo-realist style, specializing in
portraying scenes of the Blackfoot Indians as they lived during the 19th
century. He has also depicted the Sioux and Cheyenne. To ensure
historical and cultural accuracy in his work, Davis hand-makes every
costume featured in his paintings.