She was more drawn to stage fashion than prêt-à -porter, however, and chose to work for filmmakers and advertising. She has since designed a number of costumes for Cinecittà Studios in Rome. From her Italian experience derives her use of deep, warm and sensual colours: sun-drenched ochres, velvet reds, intense blues and deep greens.
In 1990 she gave herself wholly up to painting. After two years of self-training, she studied with Pierre Ramel (a former pupil of Mac Avoy’s), who taught her the painting-knife technique: she smooths out her oils to achieve an effect of transparency.